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Heroes Return, by Moira J. Moore

View our feature on Moria Moore's Heroes Return

Being a hero is a recession-proof job—from the author of Heroes at Risk.

The Emperor has personally selected Shield Lee Mallorough and Source Shintaro Karish to protect the duchy of Westsea-Taro's ancestral lands. But Westsea is suffering from deadly earthquakes that resist Lee and Taro's magic and political unrest that is stoked by their arrival.

  • Sales Rank: #1760351 in Books
  • Published on: 2010-07-27
  • Released on: 2010-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.70" h x .90" w x 4.20" l, .39 pounds
  • Binding: Mass Market Paperback
  • 368 pages

About the Author
Moira J. Moore lives in Ontario, Canada.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

"Seriously," I muttered. "You would think someone would have figured out by now how to build a carriage that didn't cause the passenger to feel every rock and hole." All the jostling about had given me a blistering headache.

"Are you getting old?" Taro asked. "You've been complaining a lot."

I had not. I had merely been making accurate observations. "And you've been unusually quiet," I responded. "Do you think we've switched personalities?"

"Lee, I never complain," he claimed loftily.

"Never?" I snickered.

"Almost never."

"Ha."

All kidding aside, Taro had been uncharacteristically silent for much of our journey. No doubt because we were heading for Flown Raven, Taro's place of birth, and not by choice. If Taro had had his way, we would have never stepped foot in Flown Raven.

But we didn't have a choice. Emperor Gifford, assuming an authority he didn't have, had sent us there, for reasons neither of us could determine. And Taro hadn't been quite himself since we'd gotten the news.

I wasn't thrilled with the transfer, either, for a lot of reasons. There was the fact that we shouldn't have ever been transferred by the Emperor, of course. That just alarmed me. We could have reasonably expected a few more years in High Scape, where we worked with six other Pairs, and where everything we could possibly want was close to hand. Most importantly, in my own mind, at least, Taro's mother, the Dowager Duchess, didn't live in High Scape. She did live in Flown Raven. In my opinion, that made Flown Raven the worst of all possible posts for us.

I despised that woman.

The carriage drew to a stop. I looked around the edge of one of the curtains. We hadn't reached Flown Raven itself, so I assumed we were taking another break to allow the horses to rest. Our driver seemed unusually careful of his horses. I didn't mind, I'd hate to be stuck out here with an injured animal, but it did seem to lengthen the trip immeasurably.

The door to the carriage was pulled open. "Source Karish," the driver said to Taro. "Shield Mallorough," he greeted me. As he did every time we stopped. He was oddly formal. "You might wish to work your legs."

I did, actually. I preferred riding to sitting in a carriage for days, but the last livery in our path, once learning of our destination, had refused to lend us riding horses, preferring to send a driver and a carriage with us. Technically, we could have insisted on the riding horses, but I didn't like making that kind of fuss. I could understand why a livery wouldn't want to trust us to borrow the horses and arrange for them to be returned when we were going as far as Flown Raven.

So we stepped out, and I spent a few moments enjoying the fresh air and stretching the kinks out of my knees. Taro lingered by the carriage, though, his gaze a little blank, his mind obviously leagues away. I wished there were a way to make him feel better, but the only handy method I could think of was sex, and I wasn't prepared to do that in a confined space with the driver listening in.

The sky, which had been dark all day, rumbled, and it began to hail. Only little stones, they didn't hurt, but all three of us scrambled back into the carriage. I'd heard of hail that got as big as tea cups and I had no interest in risking something like that landing on my head.

I was worried about the horses being unattended. What if they spooked?

The driver looked at Taro. "Can't you fix this?" he demanded.

Taro's eyebrows rose in surprise. "This is just the weather, my dear boy," he told the driver. "Not our bag, I'm afraid."

I glanced at him with concern. I hadn't heard him use that kind of airy tone for a while. It was one he used when he wanted people to assume he was an idiot, when he was feeling uncomfortable.

"Thought you two were supposed to deal with the weather," the driver insisted. "That's what you're paid for."

Well, no, members of the Source and Shield Service, or the Triple S, weren't actually paid. We were supported. We could commandeer rooms in boarding houses, as fine as we liked, and requisition clothing and food and services. But we could never demand money.

"Ah, if only we could," said Taro. "Hail and rain are so annoying, and snow should be made illegal. It would be delightful if we could just will"—he waved a languid hand—"it all away."

Well, I could affect the weather. Sort of. I just wasn't any good at it. And we weren't telling anyone that, because it wasn't part of a Shield's regular bag of tricks.

"So what do you do?" the driver asked with asperity.

I was surprised to meet someone so ignorant of Sources and Shields and their roles. I wasn't aware that there were people who didn't know what we did. On the other hand, our new post hadn't had a Pair in recorded history, having only recently been afflicted with earthquakes. Perhaps people in this area honestly never thought about Sources and Shields.

"When there is an earthquake, or a tornado, or an erupting volcano, or other natural disaster, I gather up all the forces of these events and channel them"—and this time Taro used both hands to make a sort of waving motion—"away."

"And what does she do?" The driver indicated me with a thrust of his jaw.

"The forces are powerful things, my good man. She makes sure my skull doesn't fly apart while I channel."

Actually, I made sure the forces he wasn't handling didn't rush into the vacuum created by his channeling and crush him, at the same time making sure his brain and heart didn't tear apart under the strain of doing something that was unnatural for the human body to do. But I had a feeling Taro was, for some reason, going for maximum dramatic effect as opposed to accuracy.

The driver sniffed. "Seems to me a man who really knew his stuff wouldn't need some kind of assistant to help him do his job."

Pompous little moron. And I wasn't an assistant.

"Why don't you do something about the hail, then?" Taro suggested in the friendliest of tones. "Show us how it's done."

And the driver surprised me by snorting and saying, "Fine." He left the carriage momentarily and returned carrying a small leather bag. He pulled from it the smallest knife and scabbard I'd ever seen, a small pouch, and what looked like a bleached finger bone of the human variety.

I knew what those trappings meant. He was going to try to cast a spell. He sliced the palm of his hand with the little knife, just a small cut to bring up just a dot of blood. He poured yellow powder from the pouch right onto the blood, and I wondered if that stung. The greenish yellow powder looked like something that would sting. He spat on the same area, and that was just disgusting. I noticed a strange acrid scent rising up from the man's palm. Finally, he crossed the bone through the mess. "Forces of earth, forces of air, clear of the water, skies be more fair. I offer my blood, I offer my will, I seek clear skies, for better or ill."

Ooh, bad poetry. I wondered if I could make up a bunch of rhymes and sell them as a book of spells. I had written some ghastly stuff when I was fifteen or so.

That seemed to be it, but the hail continued. We looked at the driver. "It takes a while to work," he said.

Ah. So whether it took an hour or whether it took all day, he could claim it was his spell that had cleared the skies and Taro and I, in theory, wouldn't know any better.

But I would know. I could feel it when a spell was being cast. I'd felt nothing from him.

Of course, I couldn't tell the difference between when a spell was being cast ineffectively or when it was actually working. That, I thought, would be a nifty skill to have.

At least the carriage hadn't exploded. I had witnessed attempts to cast spells that had destructive results.

And despite my former exposure, it was still something of a shock to see someone so openly attempting to cast a spell. I had spent most of my life happily not thinking about spells, except for the odd time they showed up in novels and plays. I certainly hadn't thought they could actually be real, nor had I known anyone who believed in them.

And then the depth of my ignorance had been revealed. Spells were real. I had seen them work, though I had denied what I'd seen until someone used a spell to save my life. I knew my flaws, I could be hard to persuade of things I didn't want to believe in, but when someone cleans away poison in my blood with a few words and some multicolored fire, even I had to admit there was something to the belief in spells.

Pretending to cast spells was against the law. Actually casting a spell was not, because the official story supported by the law was that spells were nothing more than performances put on by swindlers. The official story was bunk. And the Emperor knew it. He had used a spell during the coronation. I had felt it. I still didn't know what the spell was supposed to accomplish, but I had no doubt one had been cast.

So why were the lawmakers so sure spells were just poetry and ritual with no real effect? Or was that something they were just pretending to believe for some reason?

The driver didn't seem to care who saw him perform—or pretend to perform—his spell. That was interesting. Did he not know that the Emperor had made the sanctions against the performance of spells much more brutal, or did he just not care?

There was no way to measure the passage of time with the sky clouded over, but it seemed to take a while for the hail to stop. That didn't prevent the driver from giving us a look of triumph as he left the carriage once the air was clear again. I wondered if he really thought he could effect the weather, or if he was merely pretending he did.

The driver got the carriage started moving. I knew this was the last leg of our trip. I hated the thought of the trip ending. It would mean we were actually in Flown Raven, and there was no getting out of it.

"It won't be that bad," Taro said suddenly.

I looked at him. "I know."

"You're braiding your fingers."

I looked down at my lap, where my fingers were all locked and twisted together. I pulled them apart. Taro was tense enough without my contributing to his unease with my behavior.

"Fiona seemed nice," Taro said to reassure me, naming the cousin whom he'd assisted in acquiring the title of Duchess of Westsea. We'd met her briefly at the Emperor's coronation.

"Aye, she did." Not what I'd expected of a relative of Taro's, she'd had a warm manner and an easy smile.

I heard a strange thud, closely followed by a second. The carriage jerked into a faster speed, and I heard the driver shouting at the horses. Three more thuds sounded against the side of the carriage.

What the hell was going on?

The carriage continued to speed along. It tilted as it took a corner and I slid on my seat. "What's happening?" I shouted.

I received no answer.

Was someone chasing us? It was the only reason I could think of for the speed, but who would be chasing us? Why?

I pulled the curtain away from the window and took a look outside. All I could see were trees racing by.

Taro and I were bounced and jolted within the carriage. I felt helpless. There was nothing I could do to control what was happening. There was nothing Taro could do, either. He had one hand propped against the wall of the carriage, the other on the seat, as he tried to stay centered.

There was another hard jolt as a wheel clearly hit a hole in the road. I was sure the wheel must have been broken by the abuse, but we kept rattling along, just as quickly as before.

I held on to Taro's arm. I didn't know why that made me infinitesimally better. It just did.

The carriage took another turn. It tilted, hard. Time seemed to slow as the carriage held askew, as if it were deciding what to do next. Then it completed its fall, landing Taro and I in a heap on the side of the carriage.

Taro could be heavy.

A few moments later, the door was yanked open. "Out, now," a gruff voice ordered.

It was difficult to get out of a carriage on its side. It took some time to accomplish it. The carriage had fallen into a ditch, and the mud on the sides covered our trousers as we climbed out.

Our driver was sitting on the ground, blood pouring from his right temple. There were arrows sticking out of the side of the carriage. I guessed they were the source of the thuds.

Two men held four horses. A third had a bow with an arrow aimed in our general direction. The fourth person stood beside the carriage. "I'll be taking your earrings," she ordered. Taro and I took out our earrings and put them in her palm. "The harmony bobs, too."

I didn't mind losing the earrings, but my harmony bob was special to me. It was a sign of affection from Taro. And it had helped save my life.

"Get your bags."

The trunks hadn't been shaken from their bindings. That meant they were hard to untie.

"Hurry up!" the woman snapped.

I couldn't believe we were being robbed. We had the worst luck in the world.

Once the trunks were free and open, the woman picked through our belongings. She was apparently disappointed with what she found. "You're Triple S," she muttered. "You're supposed to be rich."

It always amazed me, the rumors that were out there about Sources and Shields. We owned very little, though I didn't doubt there were some Triple S members who used their right to requisition goods to acquire fabulous jewels. That might make them appear rich in the eyes of regulars.

She didn't fail to find the little jewelry Taro and I did have, or the small stash of coins Taro kept for gambling. Everything else we owned ended up on the muddy bottom of the ditch. I was too cowardly to object. The idea of being speared by an arrow horrified me.

"Don't tell anyone about this," the woman said. "Or we'll come back for you."

The hell with that. I would be telling everyone we met.

The four thieves rode away, leaving us in a mess.

"How are you doing?" Taro asked the driver. "Can you see all right?"

"Aye, I'm not hurt bad," said the driver.

"Lee?"

"I'm fine." I was sure I would have an array of bruises soon, but that wasn't worth mentioning.

"Do you think we could push the carriage back over?" Taro asked the driver.

The driver laughed.

Under the driver's instructions, we freed the horses from the carriage and gave them to the driver to lead. What could be packed on the horses was, but Taro and I each ended up dragging a trunk behind us. The ache that created between my shoulder blades was brutal.

This probably wouldn't have happened if the livery had given us horses to ride. We would have been able to outrun the thieves.

On the other hand, they might have fired the arrows directly at us. That would have been messy. And it would have hurt.

It was twilight when we first saw the wall of thick dark gray stone that was ominous in its solidity. It was an unnecessary remnant of a time when titleholders battled each other for land and power. We passed through an iron gate being held open by two guards. There was an emblem high on the gate that I recognized as the family's crest. Taro used to wear a ring with that emblem.

The grounds beyond the gate were lush and green, with small bushes huddled against the base of the house. I supposed it was a house. I thought it looked more like a castle would look, though it lacked the size and grandeur of Erstwhile, the seat of the Emperor. It was made of stone, proof of a people who didn't worry about natural disasters. It looked long, and it appeared to be four stories high. There were two towers, one at either end, with only slits for windows. The rest of the windows in the structure were wide, and I thought I saw some kind of iron inlaid in a diamond pattern. All of those windows had shutters, odd single and heavy-looking slats that were propped up over the windows and meant to be lowered to cover the windows at night. I'd never seen that arrangement before.

The front door was huge, three men high and four men wide, arching to a point at the top. It looked solid. Impenetrable. Like it would make an ominous clanging sound when it closed and one might feel trapped within. Like a prison.

Beyond the house, I could see, in the distance, a significantly smaller house in the same style. The dowager house, I guessed, where Taro's mother lived. She was going to be our far too close neighbor, as we would be Fiona's guests for as long as we were stationed in Flown Raven. That meant we were likely to see the Dowager Duchess on a weekly and possibly daily basis. Cold, manipulative, evil wench of a woman.

There was a third building that looked like a stable.

Beyond the buildings was what looked like some kind of mountain range, but smaller. More like a rocky hill range. It looked kind of vicious and dark. I knew that beyond that, at some point, was the West Sea, and that Fiona controlled the waters of that sea for several leagues. As she controlled hundreds and hundreds of acres of farmland all around us.

What did it feel like, I wondered, to control so much? To be so important to the people who lived on and worked that land and those waters? It was a staggering amount of responsibility. I certainly wouldn't want it. I could understand why Taro hadn't wanted it, either.

Two people ran out from the back of the house as we approached the steps leading to the front door. "Sir, ma'am," the blond servant said. "What has happened?"

"We were robbed," Taro answered grimly. "The driver is injured."

"I'm not," the driver protested. "I don't have the coin for a healer. Especially now. Don't call one."

"We had to leave the carriage in the ditch," Taro added.

"I'll have someone fetch it," said the blond servant. "You, there," he said to the driver. "Come with us and you'll be seen to for the night. Sir, madam, if you would approach the main entrance. We'll see to your trunks."

Couldn't I slip around to the back, too? My hair was half falling down and I was a sweaty mess. Not at all the image I'd hoped to present to the Duchess of Westsea and her family.

We climbed the steps toward the front door. The door seemed even larger when I stood right in front of it. Really, who needed a door so large? What purpose did it serve, other than the attempt to intimidate people?

I was intimidated by a door. That was sad.

Taro knocked on the door.

This was it.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Great Series, Unimpressive Addition
By Kiki T.
Before I get to the icky part of the review, I gotta say that the three stars are well deserved. This series was never what I expected it to be. The entirety of the Heroes series is a fun, fast read that manages to never feel frivolous. And, of course, the characters are some of the most charming I've ever met. I love Lee and all of her prickly uptightness. Her character's seriousness is always softened by a sweet naivety. Taro, despite playing the dashing rogue, isn't the overplayed stereotype you'd expect. He's ridiculously lovable.

However, Heroes Return is by far the least satisfying book in the series. Lee and Taro head back to Taro's homeland, despite the fact it's documented that Pairs tend to have problems protecting the areas they were born in. Lee has continuously complained that she can't shield in Westsea and Taro's obliviousness in not only frustrating, but bordering on negligence. I'm a little less than fond of bad guys that have no redeeming factors, and Taro's mother definitely falls into that category. She's so wrapped up in herself that the outside world can't even make a dent in her plans. She's a one dimensional and ultimately dull problem. Taro and Lee's relationship problems seem stagnant. Although their volatility usually comes off as adorable, there comes a point when you just want to slap some sense into them.

It's clear that this book is more concerned with setting up future events than being a stand alone novel. Problems are left unresolved, the solutions feel anti-climatic, and the progress is minimal.

I'm still looking forward to the next book, but I really hope there's more Taro/Lee love and the ominous presence of the Emperor is fleshed out.

5 of 5 people found the following review helpful.
Broke my heart, a little
By Nancy Nelson
This is not the normal type of "supernatural" heroes' series and has always been characterized by the sweetness of the characters. No one is bloodthirsty or a great fighter but the heroes have great abilities that help them do what we want all our heroes to do which is to save the good guys, defeat the bad and have a little love in the meantime. Which is why this book left me hanging and a little angry that I will have to wait so long for the next book to resolve so many issues left behind. I wouldn't mind if I already had the next book to read but of course I don't. I need a little more resolution in my books when I am asked to wait another year to find out what happened. The heroes are so poor at communicating with each other that the love side of this story left me a bit bereft. I don't want to give anymore away than that. It was as always, gripping and charming. The series is well worth reading for those who have not picked up any of the books yet.

3 of 3 people found the following review helpful.
An uneasy entry in the series
By G. Carter
I have to agree with the prior reviewer, I love the rest of the books in this series so I was really looking forward to this book but I found it hard to read - not that the writing was poor, but the story was a bit difficult to get into, did not have any hugely dramatic scenes or plot twists, and I wasn't happy with the characters and their lack of communication. I finished the book rather depressed and really unsure of where the author was taking the series. I think 2 things could happen with this series, the first is that this is a turning point book that doesn't really stand on its own, but acts as a segue to a different focus of the series, and the second is that this is the start of the ending of the series - in which case I hope it is tied up with the next book, hopefully with a good ending for the characters. I look forward to the next book in the series because there are questions that need answering and I want to see if some of the issues introduced in this book are resolved, but until then I think I will "forget" this installment in the series and concentrate my rereading on the first four books, which I do highly recommend.

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^ Free PDF Urban Design: The American Experience, by Jon Lang

Free PDF Urban Design: The American Experience, by Jon Lang

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Urban Design: The American Experience, by Jon Lang

Urban Design: The American Experience, by Jon Lang



Urban Design: The American Experience, by Jon Lang

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Urban Design: The American Experience, by Jon Lang

Urban Design provides a comprehensive and accessible introduction to urban design, presenting a 3 dimensional model with which to categorise the processes and products involved. It not only defines the subject, but also considers the future direction of the field and what can be learned from the past. 50 international case studies demonstrate the variety of urban design efforts that have occurred in recent history.

  • Sales Rank: #2452848 in Books
  • Published on: 1994-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 8.75" w x 1.00" l,
  • Binding: Hardcover
  • 509 pages

From the Back Cover
Urban Design the American Experience Jon Lang Urban Design: The American Experience places social and environmental concerns within the context of American history. It returns the focus of urban design to the creation of a better world. It evaluates the efforts of designers who apply knowledge about the environment and people to the creation of livable, enjoyable, and even inspiring built worlds. Urban Design: The American Experience emphasizes that urban design must take a user-oriented approach to achieve a higher quality of life in human settlements. All the keys to this approach are spelled out in chapters that address:

  • Urban design as both a product and process of communal decision-making
  • Types of knowledge required as a base for urban design action
  • How to apply recent environmental and behavioral research to professional design
  • How human needs are fulfilled through design
  • The true role of functionalism in design
Urban design efforts of the twentieth century in the United States are examined within their socio-political context. Jon Lang reviews the urban design experience from the beginning of the "City Beautiful" movement, paying particular attention to developments since World War II. He explores how the twentieth-century city has developed, as well as discusses the attitudes that have driven major movements in urban design. Readers learn a neo-Modernist approach that builds on the successes and failures of Rationalism and Empiricism, the two major streams of Modernist thought in architecture and urban design. They also gain an understanding of how the environment is experienced by people, and the implications of this experiencing for architectural and urban design. Numerous illustrations throughout demonstrate how various design schemes can be used. Urban Design: The American Experience provides architects, designers, city planners, and students in these fields with a model for their own future development as professionals. It is a valuable guide to design methodology (procedural theory) and other issues related to creating optimal urban environments.

About the Author
About the Author Jon Lang, Ph.D., is currently Professor of Architecture at the University of New South Wales in Sydney, Australia, as well as Director for Urban Design of the Environmental Research Group in Philadelphia, Pennsylvania. Dr. Lang also taught in the Urban Design program at the University of Pennsylvania from 1970 to 1990, chairing the program during the eighties. He continued his association with Penn as a visiting Professor of City Planning through 1993. Dr. Lang has served as a consultant for UNESCO in Turkey and for the Ford Foundation in India. He is co-editor of the pioneering book Designing for Human Behavior: Architecture and the Behavioral Sciences, as well as author of Creating Architectural Theory: The Role of the Behavioral Sciences in Environmental Design.

Most helpful customer reviews

8 of 10 people found the following review helpful.
Close look at the Moderns
By Fabio A Mello
A spectacular book. Lang explains all the design process of the urban environment within USA in this century. What had going wrong and why. See also how a close relationship between designers and its clients can improve design quality and what sort of human needs can be fulfilled by the built environment. A book not only for urban designers but for all people related with the designing process from interiors designers to landscape architects.

8 of 11 people found the following review helpful.
Not what it seems...
By Tigran Haas
This is not a comprehensive book on the field of Urban Design. Although this is obvious from the subtitle one is left with dissapointment. Aside from an interesting collection of cases studies you really don't get the complexity and timeless cross-section of this field that is having a renaissance now. None of the current trends are mentioned nor do they get any strong coverage (new urbanism/trasnurbanism/reurbanism/everyday urbanism/splintered urbanism/complexity urbanism) nor does the historical element comes through. Generaly good written book but too much of a sallad bowl without a proper structure and philosophy. Not a good tool for teaching. If you want top of the pops book in this field go to D.Grahame Shane's Recombinant Urbanism. For me it was astonishing how little space was given to new urbanism, the leading urban design theory and practice today.

1 of 2 people found the following review helpful.
Mandatory reading for professors and students of Urban Design
By Vicente F. de Castro Neto
So good that I intend to recommend it as one of the text books for my classes of Urban Planning. It has a well balanced combination of theory - explained with conceptual diagrams - and case studies, which cover most of the examples of Urban Design in the last and this centuries. The author's review of the Master Plan of Curitiba, that had my participation 40 years ago in research and design, is very to the point when he asks: "How we move ahead?"

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Rabu, 09 Desember 2015

# Free PDF Scooby-doo Mysteries:Monster Menace (Scooby-Doo Mysteries), by James Gelsey

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A Scooby-riffic mystery series!

The Gang get ready for some serious shopping when they head to the Happy Valley Mega Mall. Daphne, Fred, Velma, and even Scooby and Shaggy want to check out the new store, Dr. Yuckenstein's Make-A-Monster Laboratory where they can make their own customized monster dolls! But - ruh-roh - a mega-sized monster has come to life and is scaring away all the customers! It's a monster of a mystery that only Scooby-Doo and Mystery, Inc. can solve!

  • Sales Rank: #1292202 in Books
  • Published on: 2006-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .17" h x 5.28" w x 7.64" l, .19 pounds
  • Binding: Paperback
  • 64 pages

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0 of 0 people found the following review helpful.
Great Chapter Book!
By Susan B
I was looking for a chapter book that would interest my second grade son. This book is excellent. It engages him and it definetly a page turner. This book is unlike most Scoob Doo books in that it is a chapter book and not loaded with pictures. It is perfect for a young reader.

0 of 0 people found the following review helpful.
Four Stars
By lora ackerman
Goes with rest.

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Minggu, 06 Desember 2015

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An Introduction to veterinary pharmacologyFrom Churchill Livingston

  • Published on: 1985
  • Binding: Unknown Binding

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They called it "The Zoo" the criminal courts. its jails were full of caged men seething with animal hatred against the judges and the system that had put them there.... But two prisoners were sworn to revenge. They belonged to a secret terrorist organization... a band of men and women sworn to rewrite histry with blood and bullets... to seize the symbol of justice and destroy it one terrible Day of Wrath.

  • Sales Rank: #3458142 in Books
  • Published on: 1981-08
  • Original language: English
  • Number of items: 1
  • Binding: Paperback

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10 of 12 people found the following review helpful.
Day of Wrath is prophetic
By A Customer
Day of Wrath by William J. Coughlin, the late federal judge ofDetroit is one of his better & more exciting novels. The plot isgritty, and the characters tend to be quite macho. To some degree, many of the characters tend to be stereotypical.
Ace, the assistant prosecutor is a wonderful character, well portrayed. The denouement at the end of the novel works well to reveal why Ace behaves & feels the way he does. The nitty gritty of court room life, the way judges behave, their backgrounds & attitudes are very revealing as well. I'm inclined to take Mr. Coughlin's word for the inner world of judgeship, since he himself is a judge.
Recommended for those who like lawyer mysteries, those who like the grittier side of life/fiction, and for those who enjoy seeing the duel between terrorists and the rest of the world.

2 of 2 people found the following review helpful.
Good Story, Well Written
By Upstate Guy
Coughlan once again proves he's the master. The story is intriguing, holding one's interest page after page. And when it comes to writing style, Coughlan is the best of the legal thriller writers. I love all of Coughlan's books. I just wish that he'd written more of them before he passed away.

0 of 0 people found the following review helpful.
Story wasn't as good as his
By BRIAN QUELVOG
item as described; delivered promptly. Story wasn't as good as his others

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Sabtu, 05 Desember 2015

* Download Mes Freres Au Front: Elisa Bates, Au Temps de La Premiere Guerre Mondiale, Uxbridge, Ontario, 1916 (Cher Journal) (French Edition), by Jea

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See below for English description.

Il y a près de deux ans déjà que Hugo, le frère d'élisa, est parti à la guerre. Alors que la majorité de la population affiche un enthousiasme débordant face à la participation du Canada au conflit, ses parents, eux, restent de glace. Lorsque le second frère d'élisa traverse l'océan lui aussi, la jeune fille s'inquiète et prie pour que les deux soldats lui reviennent sains et saufs. Si seulement elle pouvait se confier à quelqu'un...


It has been two long years since Eliza's beloved older brother, Hugo, went away to war. Caught up in his enthusiasm, she couldn't understand her parent's less-than enthusiastic reaction. Now that her other brother Jack has also enlisted, she yearns for the safe return of both brothers. If only she had a friend that she could talk to about her feelings....

Original title: Dear Canada: Far from Home

  • Sales Rank: #7839720 in Books
  • Published on: 2010-01-01
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.67" h x .86" w x 5.56" l, .0 pounds
  • Binding: Hardcover
  • 239 pages

About the Author
Jean Little is the author of more than twenty-five books for children. In addition to Emma's Magic Winter, her first I Can Read Book, Ms. Little's works include the novels Lost and Found, Different Dragons, From Anna and Hey World, Here I Am, illustrated by Sue Truesdell. Jean Little has always been interested in adoption, and she had a first-hand experience with it when her sister adopted two children several years ago. The family has nine pets, the most recent addition being Henry Higgins, a talking African gray parrot. Although Jean Little was born with scarred corneas that severely impair her vision, she has always loved to read and to write. She writes with a voice-activated computer and travels widely with her Seeing Eye dog, Pippa. Ms. Little lives in Ontario, Canada.

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Selasa, 01 Desember 2015

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Walter Wick's Optical Tricks: 10th Anniversary Edition, by Walter Wick

Walter Wick's amazing puzzler celebrates its 10th anniversary with a new redesigned foil cover and an eye-popping magic-picture postcard!

You may have seen drawings of impossible objects, but have you ever seen them photographed? Wick's book of optical illusions leaves readers of all ages wondering just how the I Spy photographer does it!

This book combines fascinating optical illusions with simple explanations of how the visual tricks work. Photos of "Stairs to Nowhere," "The Phantom of the Forest," and more seemingly improbable images are a delightful treat for the eye and mind. Beautiful, challenging, and just really fun, this book has to be seen to be believed. And once you see it, you won't be able to put it down!

  • Sales Rank: #378487 in Books
  • Brand: Cartwheel
  • Published on: 2008-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x .30" w x 9.00" l, .0 pounds
  • Binding: Hardcover
  • 48 pages

Amazon.com Review
From the creator of the I Spy books and the award-winning, irresistibly aquatic A Drop of Water comes Walter Wick's Optical Tricks. Optical illusions abound in Wick's stunning color photographs--tricking the brain into pursuing phantom images. In the opening spread, entitled "First Impressions," we see a white glob of smashed clay, with sunken impressions of objects such as buttons, screws, and chess pieces. But when you turn the page upside down, the clay impressions seem to pop out! In the second spread, "Mirror Magic," you see a collection of objects such as a billiard ball, a die, and a wooden block in the shape of the number 4. The billiard ball, also a number 4, is reflected backward in the mirror, but the block number 4 is not. Why not? Fortunately, readers can flip to the back of the book, where Wick explains the illusions in his refreshingly straightforward and concise manner.

Brilliantly composed photographs of simple props, expert lighting, and myriad mirrors baffle us page after page: a "Tricky Triangle" that has a peculiar twist; a bogus box; Escher-like visual deceptions; and more. Wick explains, "As much as possible, the photographs are designed to challenge readers to compare true perceptions (the objects as they really exist) with false perceptions (the illusions) as a way to cultivate visual logic skills and to sharpen powers of observation." This visually maddening, mind-bending book will challenge and entertain even the keenest young observers. Is it all smoke and mirrors? Most certainly. (Ages 7 and older) --Karin Snelson

From Publishers Weekly
Wick (photographer of the I Spy books) reaches into his bag of photography tricks and pulls out surprises galore: his baker's dozen of fascinating illusions will stump readers of every age. Nothing is quite what it seems?images that appear indented in clay suddenly pop out in relief when the page is turned upside-down; a handful of fish multiplies into an endless school through the clever use of mirrors; the middle of three columns in a structure seems to disappear somewhere between base and ceiling. Crisply photographed and composed in largely primary colors, the images pack a nifty one-two punch. Best yet, Wick generously reveals the tricks of his trade at the end, explaining the difference between true and false perceptions and showing how, for example, he created the illusion titled "In Suspense" by placing halves of objects on a mirror to make them appear as wholes, floating in space. Part M.C. Escher, part "Magic Eye," but wholly original in their presentation, these irresistible puzzles are nothing short of visual catnip. Ages 7-up.
Copyright 1998 Reed Business Information, Inc.

From School Library Journal
Grade 4-8-Communication between eye and mind is disoriented with a series of colorful photos of meticulously chosen or carefully constructed objects painstakingly arranged and ingeniously photographed from extremely precise angles. Challenges are presented both in those often-frustrating photos and in the simply written text, with the "illusions" revealed on subsequent pages by having readers change their viewpoint, or in consultation with a series of "solutions" and explanations at the back of the book. In a conclusion, youngsters are reassured that not everyone can "see" every illusion, and that this work is meant as "...an entertaining introduction to the mysteries of visual perception..." and not an "intelligence test." Highly sophisticated despite its appearance of colorful ingenuousness, this new endeavor from the creator of A Drop of Water (Scholastic, 1997) will prove engagingly demanding to those who can "see" 3-D op art in a trice, and annoyingly exacting to those who cannot. Stimulating, if frustrating, and certainly not in the usual stripe of books on optical illusions.
Patricia Manning, formerly at Eastchester Public Library, NY
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

20 of 28 people found the following review helpful.
Amazing...Great to train operators of printing press
By Marco V. Gutierrez
I first ordered this book as an nice addition to my library. Nonetheless, once I got it I found an interesting use that I had not thought of before. I decided to show it to different printing press operators at the plant that I help run as a way to convice them of the importance of using a densitometer. Before showing them this book they were reluctant to use them because "we've always done it this way and nobody's complained". With this book I think they now understand that our eyes are not as reliable as we would hope. This book has made my job as plant supervisor easier and in the long run, will definitely help out product's quality assurance.

9 of 9 people found the following review helpful.
Elusive illusions
By E. R. Bird
Goofiness. Utter utter goofiness. Using 4" x 5 " and 8" x 10" view cameras, photographer Walter Wick has done what many would have thought was well nigh impossible. He has systematically photographed some of the world's best known optical illusions. Happen to like the M.C. Escher print where people walk up stairs to a balcony equal in height as to where they started? It's in here. How about cubes whose arms twist in depth defying ways? In here too. Walter Wick is best known for his I Spy book series. With this book, however, he has created a series of amazing oracular photographs that are just as interesting to figure out as they are to look at. Fortunately for the reader, Wicks has included short explanations of how some tricks work and how others fool the eye. He explains how he created his photographs and why some of them work as well as they do. For any child (or, heck, adult) interested in some true to life optical illusions, this is the best book on the market today. But bear in mind, even when Wick's explanations are said and done, some of these photos bear some going over. I, personally, had to read the following sentence five times: "The balcony is attached to the arches in the foreground, but the top of the foreground archway is cut at an angle that matches the angle of the walkway's bottom edge". I'll be honest. I still don't quite know what that means. So if your kid doesn't mind reading some fairly complex explanations like the one above, this book is ideal reading material. If they do mind, best that you find them something a little less brain/word twisting.

2 of 2 people found the following review helpful.
Fun for all ages
By Christine E. Moore
I went to a Walter Wick museum exhibit and fell in love with his work. I had to buy this book. I bought copies for my grandfather, my father, and my cousins (ages 14 and 11). They all loved the book. Some pages are better than others, more interesting or more perplexing. But those special pages are worth it. None of the images in the book are computer generated. Every single image is an actual undoctored photograph. And that is what makes Walter Wick so special: he builds his own models and photographs them for real optical tricks, and you have to figure out how taking such a photograph could be possible.

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