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Odetta: The Queen of Folk, by Stephen Alcorn
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A picture book that shines light on the indomitable life of one of the most influential American folksingers in the history of our country.
In the spirit of WHEN MARIAN SANG, this book introduces young readers to Odetta, an American folk legend. Lyrical text and striking paintings tell the story of the incredible singer whose life and works inspired such icons as Bob Dylan, Joan Baez, and Tracy Chapman. The book comes from the author's long and fruitful artistic relationship with Odetta and is based on personal dialogues he had with her before her death in December 2008.
- Sales Rank: #1470687 in Books
- Brand: Scholastic Press
- Model: FBA-|319055
- Published on: 2010-12-01
- Original language: English
- Number of items: 1
- Dimensions: .50" h x 10.20" w x 11.50" l, 1.20 pounds
- Binding: Hardcover
- 40 pages
From School Library Journal
Gr 3-6–Through stunning illustrations and text, Alcorn pays tribute to the incomparable folksinger. When Odetta was born in 1930 in Birmingham, AL, the Deep South was enmeshed in Jim Crow laws. Music offered solace: “Spirituals, gospel, prison, and work songs: the cup of soup Odetta grew up on!” Alcorn's eye-catching paintings boldly blend iconic and folk elements. As a shocked Odetta watches, a water fountain's torrent of frothy letters spells out “Whites Only.” Odetta's musical hero was Marian Anderson; Alcorn depicts her soaring with the sparrows in flowing angels' robes, pearls, and multicolored wings. Odetta's family found welcome in Los Angeles, where her talents came of age: “The way Odetta sang, not even Jim Crow could tell her no!” Alcorn's prose is spirited and playful; as Odetta wins renown, her music unites people of all races. One brilliantly composed scene finds her amid a cotton field, her billowing sack teeming with birds she is waving aloft. An author's note lends context and perspective; additionally, there is a list of recommended recordings. This is a rousing introduction to a musical trailblazer.–Marilyn Taniguchi, Beverly Hills Public Library, CAα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From Booklist
*Starred Review* The ranks of picture-book musician biographies swell with each passing season, but rarely are they done with as much elegance as in this ode to the folk pioneer Odetta. The project conceived and illustrated by Alcorn and featuring verse by Thornhill incorporates into Odetta’s childhood a story of intertwined musical inspirations—backbreaking-work spirituals and chain-gang rhythms—and themes of civil inequality that would inform her music. But it’s not all serious tones—Odetta was a raucous child who loved to drive her auntie mad banging away on a piano, and Thornhill’s free verse opens into short, sharp lines that are a joy to read aloud: “Odetta couldn’t / just sing, she / could sang. / To sang is to sing / like you need the music / as much / as birds / need sky.” Both in the text and in the quilted, flowing patterns of Alcorn’s paintings, the bird serves as a dramatic metaphor, issuing doubly from Odetta’s throat and a cage when she first begins to sing, soaring high as her family leaves the Jim Crow South for the haven of Los Angeles, and bursting in flocks from a pillowy cotton field as Odetta sows her songs across the world. Soulful and uplifting, this tribute introduces an important social activist who opened the eyes and delighted the ears of countless folk singers and music lovers, but will likely be a fresh subject for children. Grades 2-4. --Ian Chipman
Review
Publisher's Weekly Starred Review:
Thornhill's poem pays powerful tribute to the folk-singing legend, beginning with early experiences that shaped her music (\u0022Spirituals, gospel,/ prison, and work/ songs: the cup/ of soup Odetta/ grew up on!\u0022) and her first exposure to segregation when her family moved to Los Angeles. As Odetta grows older, she discovers her voice (\u0022Odetta couldn't/ just sing, she/ could sang./ To sang is to sing/ like you need the music/ as much/ as birds/ need sky\u0022) and becomes a central figure in the civil rights movement. Filled with stars, candles, lightning bolts, music notes, and angels, Alcorn's rousing compositions borrow from folk art traditions, religious imagery, graphic design, and 1960s album cover art, creating a rich tapestry that trumpets the power of this singular figure. Ages 7–10. (Dec.)
Most helpful customer reviews
1 of 1 people found the following review helpful.
A tribute to Odetta but, without any music, it rings hollow
By Steve Ramm
This book is a nice tribute to Odetta - who died in 2008 - but kids won't learn much about her from it. The text - partly written in slang - says that she wanted to play piano as a child in Montgomery, AL but her aunt wouldn't let her play. So when she moved to Los Angeles as a child her mother got her training. She learned the guitar and then spread the "gospel" of civil rights. That's the whole story. There are two pages of what might be considered biographical info at the back but even that only gives basic info like her last name and when she was born and died. There's a VERY short listening list. It would have been nice for the publisher, Scholastic Books, to have licensed a few tracks from Vanguard to put on a CD inserted in the back (there is none) which would have given children a chance to hear her.
The illustrations by the author are colorful and the book can be used as a tool to discuss civil rights and segregation in the south and will, at least, get this pioneer folk singer some name recognition among children.
Steve Ramm
"Anything Phonographic"
1 of 1 people found the following review helpful.
A fine introductory story to the black musician Odetta
By Midwest Book Review
Stephen Alcorn's ODETTA: THE QUEEN OF FOLK provides a fine introductory story to the black musician Odetta, whose folk music served as inspiration for black and white musicians alike. Lovely colorful drawings accompany an inspirational piece perfect for any seeking to introduce the young to Odetta's magic.
2 of 3 people found the following review helpful.
Ruined by a Passage
By DAC
This is about Odetta Holmes, a folk music legend and a politcal activist. Alcorn begins when Odetta is born. As young girl, Odetta finds the piano and her voice. Alcorn shows the Jim Crow world Odetta grew up in. When Odetta gets older she uses her to bring a little peace. Alcorn uses a lyrical style, which is very fitting for a musical biography. His illustrations are vivid and beautiful.
I liked the Odetta: The Queen of Folk the first time. I only wished there was more back information. There is an There's only a page and a half Ode to Odetta. Which isn't extensive enough especially since the story itself leans more towards fictional. More back information could've round up Odetta: The Queen of Fok nicely.
I like to read picture books at least twice. Usually the second time in, I can take the time to appreicate the text and illustrations more. Or in this case spot something I missed.
Someone in Birmingham
Alabama, a long
long-time ago must've
accidentally burned
the Christmas ham
That's how the city
of Birmingham
got its nickname
Burning Ham
That's the second passage. I am surprised I didn't see that the first time. After I saw it, I couldn't unseen it. It ruined the whole book for me. I wouldn't expect Birmingham's 1960's nickname Bombingham to make it into a children's picture book.
However to spin a tale like this and say Birmingham is called Burning Ham because of a burned christmas ham seems very very wrong to me and lessens the truth of what really happened.
When I pointed this out to a friend, they suggested maybe it was something Odetta said, meant to be witty folk wisdom. That's very possible and if it was Alcorn should've referenced it in the back.
For half a second I considered not posting this, in case Odetta really did say that or something similar. Though I decided I would risk looking foolish.
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