Free PDF Night Dancer, by Marcia Vaughan, Marcia K. Vaughan
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Night Dancer, by Marcia Vaughan, Marcia K. Vaughan
Free PDF Night Dancer, by Marcia Vaughan, Marcia K. Vaughan
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A lyrical picture book poem featuring Kokopelli, the beloved humpbacked southwestern Native American god.
This lyrical poem follows Kokopelli, the god of dance and music, as he travels through the moonlit desert playing his flute and inviting the desert animals to join in his dance. Coyote, Snake, Tortoise, Javelina, Jackrabbit, Tarantula, and the sleeping children of a nearby pueblo accept his invitation, and joyously follow this pied piper of the Rio Grande in his midnight dance.
- Sales Rank: #819093 in Books
- Published on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: .43" h x 8.82" w x 11.38" l, 1.30 pounds
- Binding: Hardcover
- 32 pages
From Publishers Weekly
Introducing the mythical Kokopelli, Vaughan (Kissing Coyotes) takes readers on an exhilarating moonlit dance amid luminescent desert arroyos, canyons and cacti. Here the supernatural songman of Native American legend, whom the author calls "the pied piper of the Rio Grande," leads a parade of desert creatures across spreads bathed in the indigo and purple hues of night. Desimini's (Tulip Sees America) computer-enhanced mixed-media art features ribbons of shimmery, pastel light to represent the music that streams from Kokopelli's flute. As he beckons, captivated desert animals fall in one by one to dance behind him, all of them standing upright as if human. Kokopelli's playful, rhythmic refrain calls Coyote, Snake, Tortoise, Javelina, Jackrabbit, Tarantula and, finally, the children of the pueblo; each verse's second line changes to foreshadow the next animal to join in (e.g., "Come dance, come dance, come dance with me/ Sliding and gliding gleefully./ Like the stars and the wind, happy and free,/ Who'll dance away the night with me?" presages Snake's appearance). Desimini's keen use of color and light effects a dreamlike, movie stills quality. Hot pink cactus flowers and a brilliant full moon add an electric spark to the shadowy nocturnal palette. An author's note explores the importance of Kokopelli among the Hopi, Zuni and Pueblo peoples. Ages 3-7.
Copyright 2002 Reed Business Information, Inc.
From School Library Journal
Grade 1-4-Kokopelli is featured in this lyrical adventure set in the Southwest. On a moonlit night, the humpbacked flute player goes out to gather the desert creatures: "Come dance, come dance, come dance with me/Stepping and stamping joyously./Like the stars and the wind, happy and free,/Who'll dance away the night with me?" One by one, various animals join the dance-coyote, rattlesnake, tortoise, javelina, jackrabbit, tarantula-answering the refrain of Kokopelli's ever-changing song. The children of the pueblo are the last to join the procession. When the sun comes up, Kokopelli plays one last tune as the participants turn toward home. Desimini tackles several tough assignments: drawing Kokopelli, usually seen as a two-dimensional stick figure, as a fully realized human; animating the drawings to convey the spirit of the dance; and showing the entire adventure in the dark of night. She depicts the line of dancers against blue/purple backgrounds in a silvery moonlit glow, with shimmering auroras of light streaming from the mythological creature's flute. Kokopelli has a wise face but the rest of him is left undetailed. Some of the spreads are more effective than others, just as some of the rhymes succeed and some are awkward. An additional purchase.
Sally Bates Goodroe, formerly at Harris County Public Library, Houston, TX
Copyright 2002 Reed Business Information, Inc.
Review
Introducing the mythical Kokopelli, Vaughan (Kissing Coyotes) takes readers on an exhilarating moonlit dance amid luminescent desert arroyos, canyons and cacti. Here the supernatural songman of Native American legend, whom the author calls "the pied piper of the Rio Grande," leads a parade of desert creatures across spreads bathed in the indigo and purple hues of night. Desimini's (Tulip Sees America) computer-enhanced mixed-media art features ribbons of shimmery, pastel light to represent the music that streams from Kokopelli's flute. As he beckons, captivated desert animals fall in one by one to dance behind him, all of them standing upright as if human. Kokopelli's playful, rhythmic refrain calls Coyote, Snake, Tortoise, Javelina, Jackrabbit, Tarantula and, finally, the children of the pueblo; each verse's second line changes to foreshadow the next animal to join in (e.g., "Come dance, come dance, come dance with me/ Sliding and gliding gleefully./ Like the stars and the wind, happy and free,/ Who'll dance away the night with me?" presages Snake's appearance). Desimini's keen use of color and light effects a dreamlike, movie stills quality. Hot pink cactus flowers and a brilliant full moon add an electric spark to the shadowy nocturnal palette. An author's note explores the importance of Kokopelli among the Hopi, Zuni and Pueblo peoples.--Publishers Weekly, October 14th, 2002
Kokopelli is featured in this lyrical adventure set in the Southwest. On a moonlit night, the humpbacked flute player goes out to gather the desert creatures: "Come dance, come dance, come dance with me/Stepping and stamping joyously./Like the stars and the wind, happy and free,/Who'll dance away the night with me?" One by one, various animals join the dance-coyote, rattlesnake, tortoise, javelina, jackrabbit, tarantula-answering the refrain of Kokopelli's ever-changing song. The children of the pueblo are the last to join the procession. When the sun comes up, Kokopelli plays one last tune as the participants turn toward home. Desimini tackles several tough assignments: drawing Kokopelli, usually seen as a two-dimensional stick figure, as a fully realized human; animating the drawings to convey the spirit of the dance; and showing the entire adventure in the dark of night. She depicts the line of dancers against blue/purple backgrounds in a silvery moonlit glow, with shimmering auroras of light streaming from the mythological creature's flute. Kokopelli has a wise face but the rest of him is left undetailed. Some of the spreads are more effective than others, just as some of the rhymes succeed and some are awkward. An additional purchase.--School Library Journal, October 1st 2002
Beneath a huge full moon, the hunchbacked flute player Kokopelli steps down from a petroglyph and dances across an atmospherically lit desert, drawing Coyote, Rattler, and other creatures to dance along behind. His compelling music swirls out to catch human children from the pueblo too: "Kokopelli spins with a step and a hop. / Whirling and twirling to the mesa top. / Cacti sway. Shadows play. / Dancers dance the night away." Vaughan (We're Going on a Ghost Hunt, not reviewed, etc.) envisions Kokopelli, who figures in the mythology of the Hopi, Zuni, and Pueblo people, as the "pied piper of the Rio Grande." Desimini's magical, moonlit scene has him capering across a suitably timeless, mysterious setting, then lets him and his music drift away on the morning wind with the promise that "when the moon shines bright, I'll dance again." A haunting introduction to this eldritch musician for younger children, and a good prelude for older ones to Malotki's Kokopelli: The Making of an Icon (2000).--Kirkus Reviews, September 15th, 2002
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Great Story for Creative Drama or Dance
By Susan Davis
I found Marcia Vaughan�s Night Dancer to be a wonderful, evocative book to use in my creative drama classes with primary aged children. It's a great piece for integrating the arts�music, dance, and drama�into the classroom. The children in the class for six and seven year olds are currently preparing to enact this story in a showcase for parents. The characters of Kokopelli, and the different desert animals like coyote, javelina, and snake, are vivid and easy for the students to act out, equally appealing to boys and girls, and a great way for them to explore different qualities of movement related to those animals. The lyrical language features words that describe a wide variety of movements that we�ve explored�growing and stretching, stepping and stamping, sliding and gliding, snapping and clapping. The children have created their own choreography as they weave about following the leader and chanting the repeating verse sung by Kokopelli. We�ve listened to Native American flute music and we may use it to underscore the procession of animals dancing behind Kokopelli. The children love the mysterious and three-dimensional illustrations that pull together desert landscapes from different parts of the Southwest to create an ancient mythical desert setting. And the poetic use of language by the author is helping them discover the concept of personification by acting out how moonlight can �sweep away darkness� and how music can �rush through arroyos� or �whisper past pueblos.� The fact that the story starts in silence, then builds to a joyful climax, then disappears again into silence is a helpful one for this energetic group that needs to learn how silence and stillness can be powerful in a performance. I give this story high marks for anyone who works with children�s literature as a basis for drama and dance.
0 of 0 people found the following review helpful.
because I'd really like to think that there's one less book about tribal ...
By Dione Basseri
I'm not a fan of this book, actually. And I think, for a large part, my issue is that the author, as far as my research indicates, has no actual blood connection to any Southwest tribes, or any American continent tribes at all. Do correct me if I'm wrong, because I'd really like to think that there's one less book about tribal tales written by a non-tribal person! But Vaughan writes primarily about Australia, and that just doesn't fit.
As for the story, it's pretty meh, for me. It's a building story, with each page dedicated to the piper picking up a new dancer to his music. Unfortunately, the names of the dancers aren't repeated, as you'd often expect from such a story, so it feels a bit off.
The artwork is pretty fascinating, actually. A mix of realism and dreamlike imagery. The animals and surroundings all look so intricate that they almost look like slightly altered photographs, rather than paintings. Also, from what I can tell, the artist DOES have a connection to American continent tribes, so I feel a little more comfortable with her. Though, again, my research may be wrong.
A lot of people probably aren't going to care about the author's connection to tribes, but it's important to me, and until I see proof otherwise, I'm afraid I can't back this book.
0 of 2 people found the following review helpful.
Mysterious and Magical
By Margaret Wolfson
In a word--buy this book. It is wonderful--in word and art. The word music, rhythms, and spellbinding imagery are a delight.
Thank you Marcia and Lisa!
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